Alternative monitoring of popular culture ~ broadly defined ~ in the pursuit of deeper understanding
Thursday, November 28, 2019
The Laundromat
Steven Soderbergh's unique brand of political subversion doesn't always
deliver the audiences but his films certainly are entertaining. His
latest, The Laundromat (Netflix), weaves together a handful of ironic
tales of people crushed by a predatory cartel of gouging, phantom
underwriters. Meryl Streep heads a cast of characters caught in Gary
Oldman and Antonio Bandera's web of fraud and unaccountability that
spans the globe.(Yes, ripped from the headlines.) Streep's Ellen Martin
is left a widow after a touring river boat capsizes near Trenton,
Michigan. When she discovers the tour company's insurer can't pay she
investigates and finds nothing but false leads and dead ends. Her story
intersects with several others, each taking the level of corruption
deeper. Although Soderbergh and writer Scott Z. Burns sermonize during
the last five minutes of the film, it's a welcome and timely message
about the threat greed and deception pose for democracy.
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