Friday, November 8, 2019

Jojo Rabbit

The most pressing question about Taika Waitit's Nazi satire Jojo Rabbit is not IF it works (it does), but HOW. Waititi carries much of the film's outrageousness himself as a spectral Adolph Hitler, the ghostly best friend to the film's lead, 10-year-old Jojo (a fine Roman Griffin Davis), a softhearted member of the Hitler Youth, who doesn't understand war, hatred or prejudice but is willing to fake it until he makes it. Jojo's loving mother (Scarlett Johansson) is a member of the resistance and is hiding a Jewish girl (Thomasin McKenzie) in crawl spaces. Jojo, on the mend from a youth camp grenade accident, discovers Elsa while recuperating at home and begins the real journey into manhood. Waititi has a keen eye and ear and masterful way with childlike enchantment and heartache. The picture, bold and bracingly funny with its anachronistic soundtrack, is loaded with small moments of emotional eloquence.

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