Near the end of Stanley Kubrick's cinematic reshaping of Anthony Burgess's dystopian novel A Clockwork Orange (1971), "reformed" teenage degenerate Alex DeLarge is pummeled by the homeless upon whom he used to prey and arrested by two of his former sadistic cronies, Georgie and Dim, who were recruited to be police officers by the new authoritarian government that rules by intimidation and subterfuge and mind-control.
Life and Art?
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