Marc Turtletaub's short and sweet film Jules is the story of Martin, Sandy and Joyce (Ben Kingsley, Harriet Sansom Harris and Jane Curtin, respectively), septuagenarians in rural Pennsylvania whom we first meet as they make individual remarks at the weekly town meetings, sharing their rather mundane concerns with the council until something extraordinary happens to them.
When a UFO crashes into Martin's azaleas and a little blue being (Jade Quon in a non-speaking role) emerges, injured, Martin, who is showing early signs of dementia, is frightened but fascinated. He reports the event at the next council meeting but is dismissed as an aging coot. His daughter, Denise (Zoe Winters) is concerned about Martin distancing himself from others and unexplainable behavior, like reports he's buying dozens of apples for an alien living in his home. Martin successfully hides the alien's presence from his daughter and most others in town.
When Sandy unexpectedly discovers the alien sitting in Martin's living room eating apple slices, she becomes Martin's cohort in keeping the creature, whom she names "Jules," safe from those who would eventually show up to take him away and do God-knows-what to him. A snooping Joyce eventually finds out about Martin and Sandy's pact and wants to be part of the action.
The lovely and often hilarious script by Gavin Steckler is concerned less with the alien visitors vs. government agents story (ala ET: The Extraterrestrial) and more with the spiritual and emotional holes in people that Jules' presence seems to fill (ala Close Encounters ....).
Kingsley, Harris and Curtin are wonderful in this unconventional story about the trials and triumphs (and temptations) that go along with getting old.
Curtin, a marvelous performer who had fallen off my radar some years ago, has a terrific moment mid-way through as Joyce, a big-city transplant to the boonies, puts her own captivating stamp on Lynyrd Skynyrd's Free Bird. It's a funny and amazingly touching moment, perfectly pitched to match the character and Curtin's inimitable style. Brava!
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