Monday, September 13, 2021

The Card Counter

 

Those of us who have acquired a taste for director Paul Schrader's films -- especially those he also wrote -- know he sets many of his stories in the territory between the lead character's interior and exterior worlds. These men -- and they are almost always men -- are often struggling with self-examination while negotiating some troubling event or circumstance. The cerebral quality of Schrader's texts sometimes belie the films' reptilian intensity.
In The Card Counter, Schrader's subject is a pathologically fastidious professional gambler who calls himself Will Tell (it's unclear whether the irony is deliberate), played by Oscar Isaac. Tell joins the World Series of Poker casino caravan with the help of a gambling broker La Linda (Tiffany Haddish), who secures backers for Tell's high-stakes gaming. La Linda is curious about the circumspect Tell and tries, unsuccessfully, to get his story, but that doesn't keep sparks from igniting.
When Tell has a chance encounter with a young man named Cirk (pronounced Kirk), played by Tye Sheridan, we learn Tell was a guard at Abu Ghraib, under the supervision of the sadistic Major John Gordo (Willem Dafoe). Cirk, recognizing Tell as one of the men who along with his now-dead father was prosecuted for torturing prisoners, invites Tell to join him in executing murderous retribution against Gordo, who was not prosecuted. Tell counter-offers by inviting Cirk to join him on the road, for reasons that become clearer as the story burns on it.
Schrader's pacing is deliberate, and the story is punctuated with voice-over notes from Tell taken from journal entries and others that explain gambling strategy. I did not find this gaming metaphor, if that is indeed what it is, altogether successful but the dynamic among the film's three principal players was interesting.
Haddish, who is not often cast in dramatic roles, was fine in a part that was oddly underwritten, especially in light of the film's final frame, and Sheridan's character was nearly as much of a puzzlement as Isaac's, with the young actor offering a combination of naivety and malice.

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