Alternative monitoring of popular culture ~ broadly defined ~ in the pursuit of deeper understanding
Sunday, March 24, 2019
Us
Jordan Peele's Us bests Get Out’s celebrated cultural-psychological intricacy, broadens the scope and depth of Peele's singular vision of horror, shakes and tickles audiences that will be coaching the film’s gritty family of vacationers through a night of doppelgänger bloodletting.
Lupita Nyong'o and Winston Duke lead the crackling good cast through Peele's invasion nightmare, as the heads of a vacationing family who confronting deadly threats with familiar faces. Much to his credit and this viewer's relief, Peele, who also wrote the picture, does not reach for the supernatural to explain the weirdness but expands the narrative and story space to, once again, probe America's race and class pathologies.
Yes, it's loaded with attack and bleed set pieces and is densely layered, operating, perhaps most importantly, as an assault on complacent tribalism and divisiveness. How much of it will resonate with the average Joe and Jane remains to be seen. It will undoubtedly puzzle some and fascinate others, but haunt most.
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