Steven Spielberg’s The Post has its moments of intrigue (delivered primarily by Meryl Streep as Washington Post publisher Katherine Graham) but is, in the end, a pretty prosaic treatment of the 1971 Pentagon Papers case and the birth of the animus between The Post and the Nixon administration. The Post and the New York Times were co-defendants pitted against the Defense Department, which claimed the papers exposed the nation to enemy threat by reporting on U.S. military operations in Vietnam, operations that were mischaracterized and misrepresented by senior officials. Tom Hanks delivers a solidly controlled performance as Post editor Ben Bradlee, who along with Graham would usher the formerly cuddly paper into an era of aggressive watchdogging that culminated with the Watergate investigation. What makes the film really compelling — beyond these heavy matters — is watching the evolution of Graham from society doyenne into a principled newspaper woman who dared to believe in a free and unencumbered press.
Alternative monitoring of popular culture ~ broadly defined ~ in the pursuit of deeper understanding
Subscribe to:
Post Comments (Atom)
Sinners
One-third of the way into Ryan Coogler's masterful world-unification, consciousness-raising vampire flick, Sinners, he and cinematog...

-
The rootlessness that comes from pride and calamity threading through Bob Dylan's 1965 hit single "Like a Rolling Stone" als...
-
As you closely read the two photographs above -- Sally Mann's "Candy Cigarette"(top) and Diane Arbus's ...
-
I don't think there's much mystery why Alice Rohrwacher's superb 2018 film Happy as Lazzaro, streaming on Netflix, is so begui...
No comments:
Post a Comment