Alternative monitoring of popular culture ~ broadly defined ~ in the pursuit of deeper understanding
Saturday, October 4, 2014
Gone Girl
For Gone Girl, David Fincher shelves the acrobatics (Fight Club, Benjamin Button) and the schematics (Social Network, Panic Room) for a cagey thriller that bristles with media-age cynicism. Ben Affleck and Rosamund Pike lead a pitch-perfect cast in this film treatment of Gillian Flynn's novel, which tells the story of an under-achieving writer and bar owner, Nick Dunne, whose author-wife, Amy, disappears on their fifth anniversary. Because of the film's narrative structure, the audience is never quite sure if Nick is innocent or delusional. At the same time, it's quickly revealed that he's a snake and maybe his wife had reason to be wary, as she wrote in her journal. Still, the lady has vanished, curiously incriminating clues are found, the police converge and then .... Tight, menacing thrillers that don't traffic in gore and mayhem are as rare as hen's teeth these days. Fincher's Gone Girl is an intoxicating cocktail, that's blessedly free of frills. It's a straight whodunit and it's terrific. Highly Recommended.
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Sinners
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