Alternative monitoring of popular culture ~ broadly defined ~ in the pursuit of deeper understanding
Sunday, June 2, 2013
Fast and Furious 6
Justin Lin's Fast & Furious 6 has an engineer's sensibility about it, that is to say, it's technically precise and highly functional but is not necessarily arftul -- which will no doubt be fine with the franchises's fan boys and girls.. Lin, who directed the lethargic Fast and Furious: Tokyo Drift (2009) and the infinitely more entertaining Fast Five (2011) has assembled more than a dozen brilliantly choreographed battles, auto v. auto and human v. human, that are a film editors dream (or nightmare). Lin -- like the film's team of souped-up racing car vigilantes led by Vin Diesel's Dom and Paul Walker's Brian -- has a need for speed but little patience, apparently, for coherent narrative and emotional weight. In this outing, Dom and Brian and their motley but colorful crew of speed demons are recruited by federal agent Hobbs (Dwayne "The Rock" Johnson) to help capture a high-performance auto freak (Luke Evans) who wants to nab a military computer chip that could wreak havoc on us decent folk. The chase takes the team from Russia to England and then to Spain; the speed and material destruction (though, apparently, relatively little loss of life) increases exponentially with each new location. The film is capped with a vehicle v. aircraft chase on a NATO airbase that has a runway that must be 30 miles long. It's all deafening nonsense but is enormously entertaining and, in the end, delivers a fairly conventional message: keep your word, don't abandon your family (broadly defined) and drink Corona. Recommended.
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Danai Gurira
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As you closely read the two photographs above -- Sally Mann's "Candy Cigarette"(top) and Diane Arbus's "...
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