Ridley Scott's Prometheus is not a badly constructed film by any means, but as many have said it is disappointing and confusing. However, my main problem is that this supposed prequel to Scott's masterful Alien from 1979 is a dishonest motion picture. This story of an early corporate-sponsored space expedition manned by vain scientists and surly, cynical crew members includes a duplicitous artificial person (Michael Fassbender), a spunky female (Noomi Rapace), and an oily corporate sleazebag (Charlize Theron), versions of whom appeared in either Alien or Aliens. To suggest that central characters from the first two films in the Alien series had spiritual predecessors is not just intellectually and creatively dishonest, it's lazy. The premise that titans came to the earth and populated the planet with lesser varieties of themselves is at first intriguing but ultimately annoying because the horrifically gruesome path to discover why these bald giants did so leads nowhere.
Alternative monitoring of popular culture ~ broadly defined ~ in the pursuit of deeper understanding
Sunday, July 29, 2012
Prometheus
Ridley Scott's Prometheus is not a badly constructed film by any means, but as many have said it is disappointing and confusing. However, my main problem is that this supposed prequel to Scott's masterful Alien from 1979 is a dishonest motion picture. This story of an early corporate-sponsored space expedition manned by vain scientists and surly, cynical crew members includes a duplicitous artificial person (Michael Fassbender), a spunky female (Noomi Rapace), and an oily corporate sleazebag (Charlize Theron), versions of whom appeared in either Alien or Aliens. To suggest that central characters from the first two films in the Alien series had spiritual predecessors is not just intellectually and creatively dishonest, it's lazy. The premise that titans came to the earth and populated the planet with lesser varieties of themselves is at first intriguing but ultimately annoying because the horrifically gruesome path to discover why these bald giants did so leads nowhere.
Subscribe to:
Post Comments (Atom)
Jay North
Jay North, who died yesterday at age 73, was one of the scores of child television stars from 60 years ago who could not outgrow their c...

-
The rootlessness that comes from pride and calamity threading through Bob Dylan's 1965 hit single "Like a Rolling Stone" als...
-
As you closely read the two photographs above -- Sally Mann's "Candy Cigarette"(top) and Diane Arbus's ...
-
I don't think there's much mystery why Alice Rohrwacher's superb 2018 film Happy as Lazzaro, streaming on Netflix, is so begui...
No comments:
Post a Comment