Tarsem's Immortals is an often stunning tribute to excess and the unsettling conflation of sword-and-sandal homoeroticism (ala 300) and mindless, though beautifully choreographed, brutality. The film is not so much about the Greek legend of Theseus, the hero who slew the Minotaur, as it is about the passing of the age of gods. The film doesn't necessarily raise the bar on the integration of live action and CGI -- and the acting (though performed by really beautiful people -- Henry Cavill and Freida Pinto) is just OK -- but the movie certainly sets a new standard for the number of decapitations that can be stuffed into 100 minutes of movie. It is truly astounding.
Sunday, November 20, 2011
Immortals
Tarsem's Immortals is an often stunning tribute to excess and the unsettling conflation of sword-and-sandal homoeroticism (ala 300) and mindless, though beautifully choreographed, brutality. The film is not so much about the Greek legend of Theseus, the hero who slew the Minotaur, as it is about the passing of the age of gods. The film doesn't necessarily raise the bar on the integration of live action and CGI -- and the acting (though performed by really beautiful people -- Henry Cavill and Freida Pinto) is just OK -- but the movie certainly sets a new standard for the number of decapitations that can be stuffed into 100 minutes of movie. It is truly astounding.
Subscribe to:
Post Comments (Atom)
She (1965)
Back Before the Great Awakening (BGA), Hollywood released a slack spectacle from England's Hammer Studios titled She (1965). The movie...
-
As you closely read the two photographs above -- Sally Mann's "Candy Cigarette"(top) and Diane Arbus's ... -
The rootlessness that comes from pride and calamity threading through Bob Dylan's 1965 hit single "Like a Rolling Stone" als...
-
In Jean-Jacques Annaud's 1986 thriller The Name of the Rose, Sean Connery stars as a spirited and independent medieval Francisc...
No comments:
Post a Comment