There is so much beauty in Nicholas Winding Refn's film "Drive" that it comes close to being a work of art. It's beautifully conceptualized (the many interiors are almost tableaux), beautifully paced (it's slow but not languorous; it's deliberate, thoughtful and meaningful), beautifully acted (star Gosling has always been a prodigiously talented actor and Albert Brooks's Brooksian pacing and delivery are oddly perfectly pitched for his role as a menacing gangster). The film is exhausting and brutal and mesmerizing and not to be missed.
Saturday, September 17, 2011
Drive
There is so much beauty in Nicholas Winding Refn's film "Drive" that it comes close to being a work of art. It's beautifully conceptualized (the many interiors are almost tableaux), beautifully paced (it's slow but not languorous; it's deliberate, thoughtful and meaningful), beautifully acted (star Gosling has always been a prodigiously talented actor and Albert Brooks's Brooksian pacing and delivery are oddly perfectly pitched for his role as a menacing gangster). The film is exhausting and brutal and mesmerizing and not to be missed.
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