Joe Johnston's Captain America has a swashbuckling verve to it that enhances what is basically a Dirty-Dozen-On-Steroids treatment of the origin of the Marvel comics hero, a 90-pound weakling who gets a makeover courtesy of 1940s-era Stark Enterprises (see Iron Man). Chris Evans' face, biceps and pecs are pretty formidable team as they take on the maniacal Nazi fiend Red Skull, played by Hugo Weaving (who else?). The ever-reliable Tommy Lee Jones brings fairly substantial weight to his role as Col. Phillips, who begins the film as a C.A. skeptic but eventually turns into a believer, especially after he sees the kind of attention the Captain gets from Special Agent Peggy Carter (I LOVE women named Peggy). The movie is a fun time though I am sure the good Captain (ironically, a classic example of an Aryan ubermensch) will be soundly pummeled this summer by a bespectacled British kid named Harry.
Alternative monitoring of popular culture ~ broadly defined ~ in the pursuit of deeper understanding
Friday, July 22, 2011
Captain America
Joe Johnston's Captain America has a swashbuckling verve to it that enhances what is basically a Dirty-Dozen-On-Steroids treatment of the origin of the Marvel comics hero, a 90-pound weakling who gets a makeover courtesy of 1940s-era Stark Enterprises (see Iron Man). Chris Evans' face, biceps and pecs are pretty formidable team as they take on the maniacal Nazi fiend Red Skull, played by Hugo Weaving (who else?). The ever-reliable Tommy Lee Jones brings fairly substantial weight to his role as Col. Phillips, who begins the film as a C.A. skeptic but eventually turns into a believer, especially after he sees the kind of attention the Captain gets from Special Agent Peggy Carter (I LOVE women named Peggy). The movie is a fun time though I am sure the good Captain (ironically, a classic example of an Aryan ubermensch) will be soundly pummeled this summer by a bespectacled British kid named Harry.
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