Christopher Nolan's "Inception" was in the end disappointing. It's not that the cinematography went wild and outshone the acting because it didn't. Many of the showcace-y scenes of bent time and perspective were really quite restrained and the acting is uniformly competent. A film about entering another's subconscious is not new; I actually found The Cell (2000) quite intriguing and visually arresting. It's more that in the end I didn't care much for Inception's caper, romance, villain or threat, etc. I actually didn't understand much of the consciousness hokum, which sounded a lot like The Matrix.
Sunday, July 18, 2010
Inception
Christopher Nolan's "Inception" was in the end disappointing. It's not that the cinematography went wild and outshone the acting because it didn't. Many of the showcace-y scenes of bent time and perspective were really quite restrained and the acting is uniformly competent. A film about entering another's subconscious is not new; I actually found The Cell (2000) quite intriguing and visually arresting. It's more that in the end I didn't care much for Inception's caper, romance, villain or threat, etc. I actually didn't understand much of the consciousness hokum, which sounded a lot like The Matrix.
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